As part of our ongoing work on
the Latin fables of Desbillons (see
this post for more info), Hector picked out a really interesting pair of fables to read together, one by Desbillons and one from Phaedrus. They are a quintessential type of Aesopic fable, the "one-liner," where there really isn't a plot at all, but instead just a witty put-down, as you'll see:
Desbillons 4.1 Sus et LeaenaFecunda Sus Leaenae vertebat probro,
Catulum quod unum quolibet partu ederet.
"Unum, at Leonem," retulit indignans fera.
Res dignitate praevalent, non copia.
Here is the poem written out in English prose order to help in reading:
Fecunda Sus
vertebat Leaenae
probro,
quod
quolibet partu
ederet unum Catulum.
Indignans fera retulit,
"Unum, at Leonem."
Res praevalent
dignitate,
non copia.
This is a fable that comes from the Greco-Roman Aesopic tradition, although it is sometimes a fox who addresses the lioness, rather than a pig. Given how many piglets a pig can have, however, that seems like the better choice, as well as heightening the lowly status of the mother-animal compared to the regal lioness.
The meter is iambic, and here is some help with the meter (for more about iambic meter, see
the post about Desbillons 1.1).
Fecun · da Sus · Leae · nae ver · tebat · probro,
Catulum · quod u · num quo · libet · part~ e · deret.
Un~ at · Leo · nem re · tulit in · dignans · fera.
Res dig · nita · te prae · valent · non co · pia.
The other "one-liner" fable we read is from Phaedrus:
Phaedrus 1.7 Vulpes ad Personam TragicamPersonam tragicam forte vulpes viderat;
quam postquam huc illuc semel atque iterum verterat,
'O quanta species' inquit 'cerebrum non habet!'
Hoc illis dictum est quibus honorem et gloriam
Fortuna tribuit, sensum communem abstulit.
Here is the poem written out in English prose order to help in reading:
Forte
Vulpes viderat
tragicam personam;
postquam
verterat hanc (personam)
huc illuc
semel atque iterum,
inquit,
"O quanta species...
non habet cerebrum!"
Hoc dictum est illis
quibus
Fortuna tribuit
honorem et gloriam
(et) abstulit communem sensum.
The use of the tragic mask in this poem marks it as clearly Roman, and
you can see illustrations here; I like the version in the
Medici Aesop:
In some versions, it's a wolf rather than a fox... and just look what happens to the
story in Caxton, where it's about "the wulf and of the dede mans hede," although the illustration shows a dead woman:
The meter is iambic:
Perso·nam tragi·cam for·te vul·pes vi·derat;
quam post·qu~ huc il·luc semel · atqu~ ite·rum ver·terat,
'O quan·ta speci·es' in·quit 'cere·brum non · habet!'
Hoc il·lis dict~ · est quibus · honor~ · et glo·riam
Fortu·na tribu·it, sen·sum com·mun~ ab·stulit.